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Singer-songwriter, legendary vocalist, guitarist, keyboardist, mandolin player, producer, Grammy winner and BMI Icon Steve Winwood has sold over 50 million records in the course of his five-decade career. His compositions include “Gimme Some Lovin’”, “Back In The High Life Again”, “Can’t Find My Way Home”, “Arc Of A Diver”, “Higher Love”, “Roll With It”, “While You See A Chance”, “Dear Mr. Fantasy”, “Split Decision”, “The Finer Things”, “Valerie”, and “The Low Spark Of High Heeled Boys”, among many others. For more than five decades, Steve Winwood has remained a primary figure in Rock ‘n’ Roll, a respected innovator who has helped to create some of the genre’s most celebrated achievements. His skills as a composer, vocalist, and multi-instrumentalist have developed an impressive catalog of popular music. Winwood’s solo career has yielded a rich catalog of popular songs including “Back In The High Life,” “While You See A Chance,” “Roll With It”, “Valerie,” and “Higher Love”. The latter was nominated for seven Grammy Awards, winning three: ‘Record Of The Year’, ‘Best Engineered Non-Classical Album’, and ‘Best Male Pop Vocal Performance’. ’Roll With It’ received four Grammy nominations in 1989 and won ‘Best Engineered Album’. Steve’s most recent solo albums, About Time and Nine Lives have received critical acclaim, earning Winwood one of his highest Billboard chart entries. Steve Winwood forges ahead undaunted, continuing to create and perform new and exciting material. He remains one of the most important and influential artists in all of popular music.
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*This cover was already partially recorded, I just needed to add a few finishing touches. However, I didn’t want to miss sharing it on Paul McCartney’s birthday. I hope you enjoy it nonetheless, and happy birthday to Sir Paul McCartney! Here, There and Everywhere was recorded in three sessions in June 14, 16, and 17, 1966 at Abbey Road Studios, and is part of the iconic Revolver album, released on August 5, 1966. Primarily written by Paul McCartney (credited to Lennon/McCartney), this gentle romantic ballad was composed by the poolside at John Lennon’s house in Weybridge in early June 1966. Its main inspiration came from God Only Knows by The Beach Boys. McCartney has repeatedly expressed his admiration for the song, even saying he wished he had written it himself. Here, There and Everywhere can be seen as a response to, or an attempt to match, the emotional and harmonic sophistication of Brian Wilson’s work. - PAUL'S RHYTHM - The song starts with the chords G – Bm – Bb – Am7 – D7, but McCartney plays them using his thumb, not a pick or other finger. You can clearly hear the sweeping motion of his thumb across the strings, which gives the intro a softer and more intimate feel. This technique adds to the song’s warm and delicate sound. This song uses a very simple but beautiful arpeggio. Even though McCartney had played arpeggios before ,like in Yesterday, this was the first time he played one on an electric guitar, using his Epiphone Casino ES-230TD with the middle pickup. The arpeggio pattern is easy but sounds elegant: two bass notes and a small strum. It starts with the main note of the chord, then plays either the fifth or the third, and finally a light strum starting from the second string up. This gives the song its soft and dreamy sound. Even though it sounds like he’s playing the arpeggio the whole time, McCartney changes it slightly in important parts. For example, right before each “I Want Her Everywhere” (0:54) (1:29),he does a full strum of the chord to make those parts stand out more and feel stronger. - JOHN AND GEORGE'S LEAD GUITARS - There is some confusion in this part of the arrangement, as it is not certain whether John and George were playing their Stratocasters at the same time and then doing an overdub, or if it was a 12-string guitar recorded twice to achieve that doubled sound. It is generally believed to be the Stratocasters, not only because of the sound quality but also due to a specific detail: at the beginning of this section, the guitars play the open G string before starting the chromatic figure (1:02) (1:37). If it were a 12-string guitar, that note would probably be heard with octaves, as is usually the case with that type of instrument. However, in the recording, it is clearly heard that there are no octaves, which supports the idea that it was played with 6-string guitars. For this cover, I chose to use both the Sonic Blue and Lennon’s mysterious black Stratocaster, since this is the only Stratocaster seen in photos from the album sessions. However, this is just an assumption, and I cannot confirm it for sure:) Recommended videos: - SONIC BLUE AND JOHN'S BLACK STRAT VIDEO - https://www.youtube.com/watch?v=yr1feVUEJlo - Michael Sokil's Cover - https://www.youtube.com/watch?v=AlzhGRsBctM&t=7s - Sam Popkin's Cover - https://www.youtube.com/watch?v=QrgkKXBTM38 - Dom Rossi's Cover - https://youtu.be/wDyABY4SY7M?si=Kakh3tKpoNhqB7NO FOLLOW ME: - YT SPANISH CHANNEL: @juodetEspañol - Instagram @_juodet - TIKTOK @_juodet (TheJuoDet) INSTRUMENTS USED: GUITARS - 2013 Epiphone Casino VS - 2008 Fender Stratocaster MIM Black (Painted Like Sonic Blue and Modified With Deluxe Drive Pickups) - 2008 Squier Stratocaster Affinity (With Headstock Painted) BASS - 2017 Rickenbacker 4003s Fireglo
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